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The
Han Tang Yuefu
The
Han-Tang Yuefu Music Ensemble ( HTYF ) was founded in 1983 by Miss Chen
Mei-o of Nankuan ("Southern
Winds") fame. Its purpose was to confirm the major role of Nankuan in
the history of Chinese music, to trace the origins to its earliest
sources, and to train singers and instrumentalists in the proper art of
performing Nankuan music and, while energizing the lifeblood of this
ancient tradition, rescue it from the brink of oblivion. Productions of
the HTYF are marked by clearly defined scholarly goals, a spirit of
in-depth cultural probing, distinctive ethnic characteristics, rich
legacies in classical art, and highly polished performance techniques.
These have together contributed to their refined and superior elegance.
For more than ten years as they performed this ancient music at centres of
higher learning the worldwide, Han-Tang Yuefu have earned international
renown and admiration at various art festivals in Europe and Asia, winning
high praise everywhere.
In
Taiwan, we produced in 1990 a CD record of Nankuan music which was awarded
a triple "Golden Cauldron" by the Executive Yuan for the best
record, the best performance, and the best production. In 1991 they won
the top award given to a musical group by the Ministry of Education. In
1995 they were elected one of the "International Performing
Arts" groups to receive support from the Council on Cultural Planning
and Development which at last made it possible to implement their
long-cherished dream of recording the complete set of 64 ancient Nankuan
instrumental suites. In the same year they produced a CD record
introducing the
Appreciation
of Nankuan and once more won a double "Golden Cauldron" prize
for the best record and the best singing.
In preserving the essence of the ancient Nankuan
tradition,
HTYF also elaborated upon the Liyuan xi or "Musical Theatre of the Pear
Orchard", a branch of southern music popular during the Song and Yuan
dynasties (twelfth fourteenth centuries). Here in the telling of a tale,
deeply introverted Nankuan music is wedded to highly refined songs and
subtle modern movements inspired by the ancient tradition of Liyuan music.
Establishing their "Liyuan Dance Studio", the troupe created
programmes of classic musicals that are traditional in spirit but
contemporary in form. Expressing continuity in the ideal:
"contemporary music is ancient music; ancient music is
contemporary", it is hoped that such living traditions will firmly
implant the music of the Han people on a global stage. It is their
constant ideal and goal to "recreate tradition by being rooted in
tradition."
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